By William Allen
In a chain of wealthy and compelling readings, William S. Allen indicates how an unique and rigorous mode of pondering arises inside Blanchot’s early writings and the way Adorno’s aesthetics is determined by a relation among language and materiality that has been commonly neglected. moreover, via reconsidering the matter of the self reliant murals by way of literature, a relevant factor in modernist aesthetics is given a better severe and fabric relevance as a method of pondering that's summary and urban, rigorous and ambiguous. whereas examples of this sort of writing are available within the works of Blanchot and Beckett, the calls for that such texts position on readers merely ascertain the demanding situations and the chances that literary autonomy poses to thought.
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Extra resources for Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (Perspectives in Continental Philosophy)
Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (Perspectives in Continental Philosophy) by William Allen