Download e-book for kindle: Aesthetics of Negativity: Blanchot, Adorno, and Autonomy by William Allen

By William Allen

Maurice Blanchot and Theodor W. Adorno are one of the so much tough but additionally the main profound thinkers in twentieth-century aesthetics. whereas their equipment and views range extensively, they percentage a priority with the negativity of the art conceived by way of both its adventure and danger or its serious expression. Such negativity is neither nihilistic nor pessimistic yet issues the prestige of the art and its autonomy in terms of its context or its event. For either Blanchot and Adorno negativity is the main to figuring out the prestige of the art in post-Kantian aesthetics and, even though it exhibits how artwork expresses serious chances, albeit negatively, it additionally exhibits that artwork bears an irreducible ambiguity such that its which means can consistently negate itself. This ambiguity takes on an additional fabric importance whilst thought of on the subject of language because the negativity of the paintings turns into aesthetic within the extra experience of being either good and experimental, and in doing so the language of the literary paintings turns into a sort of considering that allows materiality to be idea in its ambiguity.

In a chain of wealthy and compelling readings, William S. Allen indicates how an unique and rigorous mode of pondering arises inside Blanchot’s early writings and the way Adorno’s aesthetics is determined by a relation among language and materiality that has been commonly neglected. moreover, via reconsidering the matter of the self reliant murals by way of literature, a relevant factor in modernist aesthetics is given a better severe and fabric relevance as a method of pondering that's summary and urban, rigorous and ambiguous. whereas examples of this sort of writing are available within the works of Blanchot and Beckett, the calls for that such texts position on readers merely ascertain the demanding situations and the chances that literary autonomy poses to thought.

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Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (Perspectives in Continental Philosophy) by William Allen

by William

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